光逝

简介：文森特（马提亚斯·修奈尔饰）从战场返回家乡，被一个富有的商人雇做私人保镖，负责在他出差的时候保护他的妻子和孩子。文森特很快发现，表面平静的马里兰却也隐藏着危险。

简介：讲述安倍晴明学生时代的故事。在阴阳寮，被誉为天才的安倍晴明与其他学生截然不同，他是个有些讨人厌且对成为阴阳师毫无兴趣的怪人。

简介：暂无简介

简介：讲述26岁的折村花子（松冈茉优 饰），在儿时梦想·电影导演出道前，被卑劣的制片人欺骗而被夺走了企划。处于失意状态的花子，以完全看不懂气氛的男子·馆正夫（窪田正孝 饰）的鼓励为契机，将10年以上音信不通的父亲（佐藤浩市 饰）和两个哥哥（池松壮亮·若叶龙也 饰）卷入其中，开始反击不讲理的社会。

简介：陈氏集团大小姐陈雨涵因家道中落，被父亲陈志雄安排到世交好友叶翔家中暂住一段时间避风头。入住叶家的当晚，陈雨涵因男友林锦御出轨、家族企业面临的难题而借酒消愁，慢慢酒精上头。另一边，叶氏集团的少董叶辰希因在酒吧被好友宜萱萱下药，宜萱萱爱慕叶辰希已久，想要借此机会生米煮成熟饭，结果叶辰希迷迷糊糊回到家中，和喝醉的陈雨涵发生了关系。二个月后，陈雨涵不慎晕倒，此时，叶家得知陈雨涵怀上了叶辰希的孩子。 由于叶家一脉单传，二老强烈要求两人结婚生下孩子，迫于种种原因，叶辰希在好友韩晨阳出的“馊主意”下与陈雨涵签下“不平等”契约并结婚，而陈雨涵也为了肚子里的孩子同意与叶辰希的契约婚姻。陈雨涵和叶辰希也因此过上了一段啼笑皆非、吵吵闹闹的婚姻生活。

简介：电影改编自朴相映作家的同名小说，该小说入围布克奖、都柏林文学奖。该剧讲述有着自由灵魂不看眼色的在熙（金高银饰）和很懂得隐藏天生秘密的兴秀（卢尚贤饰）一起生活后展开的发生的故事，描绘了同性恋的年轻男作家横冲直撞地学习生活和爱情的过程。

简介：前世情缘，梦中寻觅。家国太平，英雄铸成！影片是《神话》的姊妹篇，讲述房教授（成龙 饰）在考古时挖掘出神秘的萨满古玉，它引领着房教授和助手王靖（张艺兴 饰）梦回西汉，化身骁勇善战的汉军将领，征战于无垠的河西草原，率骑兵抗击匈奴守护家国，并与匈奴公主梦云（娜扎 饰）展开一段跨越千年的前世情缘。为寻真相，房教授和助手邀请好友雷振（李晨 饰）深入万年冰川中找寻祭天圣地，欲揭开这段不为人知、横跨千古的传奇故事，却遭萨满专家赫伯尔（李治廷 饰）的阻挠……

简介：二十年前史局长奉命围剿大毒枭沙坤组织，致使虾崽之父于教授毙命。二十年后，东南亚N国发生一起命案，MG32毒品再现，部党委高度重视，成立专案组立案调查。此时虾崽带着家仇国恨，卧底潜伏。潜伏中，他逐渐揭开了贩毒集团的神秘面纱，还意外牵出了父亲牺牲的真相以及与养母史红（局长）有关的旧案谜团。各方势力错综复杂，真相与谎言交织成一张密不透风的网；枪林弹雨之间险象环生，悬念迭起，一场惊险刺激、斗智斗勇的猎毒行动即将展开..

简介：

莫琦在目睹一场文物交易时不慎落水失忆，醒来遇到旧相识吴可凡，得知莫琦失忆后两人开始合力寻找记忆，却不想陷入了无尽的麻烦之中。

简介：

《大明平妖传》选择了当下网络热门的魔幻题材，将故事背景定在了明朝末年，讲述了明末朝堂的尔虞我诈以及特殊衙门金吾卫与以妖道霍飞猿为首的妖界的乱世之战。在展示光怪陆离的妖的世界同时探讨人性善恶的深刻主题。

简介：

外星人首领得知能量体存在在地球上，为了得到能量体。首领派球球去地球查探能量体的下落，并夺得能量体。球球来到地球后，在偶然的机遇下得知能量体在四眼的身边。便开始接近四眼等人，以朋友的身份一直在四眼等人身边潜伏。渐渐地球球在大家的相处下渐渐发现人类都有一颗善良的心。开始觉得自己不应该再继续这样错下去，便开始动摇。首领一直没有得到消息，便派蛋蛋来到地球查探。蛋蛋决定自己下手，阴差阳错几人开始了一场搞笑而又惊险的旅行。两人决定放弃，就在大家都以为能和平时，外星杀手附身小美开始了一场激战。直到这时，大家才知道能

简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.