Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
亚历克斯失败后过去了73年，人类也失去了半机械人的战争。从那时起，人类就被奴役了。科学家们已经开发出一种新的DNA毒株，这可能标志着Cyborgs的终结，并将其注射到志愿者身上。当生化机器人了解到这个女人和婴儿时，他们都要终止。为了逃跑，她带着一艘偷来的半机械人的船，在1980年回到了东非，在那里，母亲被杀，但孩子得救了。这需要20年的时间，但半人半人的猎人星云最终找到了这个名叫亚历克斯的女孩，并及时赶回来终结她的生命。
一次奇遇使她变成五十英尺高的巨人，她开始向一切不公正挑战。 美国西部某镇，一个神奇的故事和一个神奇的女人。南西是一位善良的姑娘，虽然她的家庭很富有，但并不幸福。她视其为生命的丈夫居然是个花花公子，不但四处寻花问柳，还企图占据她父亲的财产。而南西的父亲是个地地道道的爱钱如命的奸商。从未关心过她。一天南西意外地遇到一艘飞碟，并与飞碟进行接触，这使她魔术般地变成了一个有五十英尺的女巨人，南西...
公元2186年，人类爆发了精神危机，AI乘虚而入创造“完美世界”和心灵孵化区，只有通过心灵值测评才能通向完美世界。Jacky和渡休一起生活在孵化区内，对完美世界充满向往，在一次心灵评测失败后由于抱怨导致两人心灵值被监视官扣至为零，于是他们找到地下组织“沖激钻”打算非法离开孵化区。但渡休的冒险偷渡方式不被Jacky认同，两人争执致使感情决裂。Jacky担心渡休安危，继而向千灵圣女求援，而千灵圣女则是一具被AI操控的雌雄两性躯体，心灵孵化则是她操控人类的手段。Jacky弄巧反拙，令渡休的意识被强制回收，同
科学狂人（安琥 饰）私下研发了一款具有交感神经、高度发达的人形机器人，用来满足一己私欲。不料机器人萌生了自主意识，它通过“黑科技”手段换取了貌美女子苏辛（郭碧婷 饰）的皮囊，进而取而代之，潜伏在苏辛男友王升（段博文 饰）身边。而另一边，离奇的连环杀人案引起了警察李洞宾（刘仪伟 饰）的注意，危险正悄悄酝酿......
萨列瓦托尔（弗拉基米尔·科列涅夫 Vladimir Korenev 饰）是一位医术非常了得的医生，他进行了一项非常大胆的实验，将鲨鱼的腮移植到了一位印第安男孩的身上，就这样，男孩获得了能够在水下自由呼吸的特异功能。邪恶贪婪的船主佐利达（米哈伊尔·科扎科夫 Mikhail Kozakov 饰）抓住了男孩，令他成为了自己的奴隶，逼迫他为自己前往海底开采珍珠。久而久之，受不了剥削的男孩逃跑了，躲到了萨列瓦托尔家中。 同样身为佐利达顾工的巴里塔扎尔（安娜丝塔西娅·维汀斯卡娅 Anastasiya Vertinskaya 饰）震惊的发现男孩竟然就是自己失散多年的孩子，于是她一纸诉状告到了法院，希望男孩能够重新回到自己的身边。
