沙漠追匪记

　　一群强盗每年都要骚扰墨西哥的一个小村庄。村里的长者派三名农夫去美国，目的是寻找武艺高强的枪手来保卫村庄。最后一共来了7名高手，他们去墨西哥的理由每个人都各不相同。他们人单力薄，要对付100多个前来掠食的强盗。经过一番激战，终于将盗贼歼灭，但七人中亦折损四人，令人伤感不已。

　　跨足全球的VALA企業透過威脅利誘勾結腐敗貪婪的政府單位，成功在市面上釋出一種未經測試的疫苗「Nh25」。為了維持家計的傑卡拉摩（克里斯多福古莫瑞斯 飾）原本為邪惡的VALA企業賣命，卻因緣際會成為背負使命決心復仇的「闇夜殺神」，誓言終結草菅人命的斂財疫苗繼續散播，引來VALA召集一群唯利是圖的傭兵死命追殺…究竟一心被仇恨蒙蔽的「闇夜殺神」能否堅守正義？超級英雄拯救世界是否是唯一的結局？

　　作为一部游戏宣传片，影片讲述了保安莫丹的老板受到刘凡博士的邀请，与其他几个玩家一同体验最新研发的大型实景VR游戏。在体验过程中，游戏演算智能核心阿尔法GO觉醒，老板和几个玩家都困在游戏世界中。
　　博士知道莫丹对游戏十分熟悉，于是把他推入游戏世界去解救其他人。在解救老板的过程中，莫丹意外遇见了 游戏中的猎鹰小队，在猎鹰小队的帮助下，他成功完成了救人的使命。与此同时，莫丹也发现原来所有的一切是附身在博士的阿尔法GO的大阴谋，为完成这场惊天阴谋，阿尔法GO更是将猎鹰小队作为数据直接删除……
　　面对惊天阴谋，莫丹该如何破解？猎鹰小队又能否得到拯救？一场更残酷的斗争序幕正式拉开！

　　隋末时期，瓦岗寨义军的营外突然有人要求与罗义认亲，但罗义断然拒绝，并反指这是杨林派来的奸细。程咬金察觉其中必有内情，亲自前往南营进行调查。姜桂枝终于道出了事情的真相。原来，四十年前，罗艺在赶考途中病倒，被河南南阳的姜家集员外带回家照顾。姜桂枝一见罗艺便动了情，得到父母的允许后，与罗艺成为夫妻。然而后来由于战乱，他们不得不分离。罗艺因其杰出的战功成为了隋朝的一名大将，并另娶生子罗成。
　　程咬金巧妙地安排，让罗艺亲自出战，并在战场上大败姜桂枝所率领的部队。面对失利，罗艺无法继续隐瞒，只得承认错误。最终，他与姜桂枝结发夫妻，重新团聚。这场事件让人们见证了爱情和家庭的伟大力量，也让罗艺和姜桂枝重拾了彼此之间的真挚情感。

　　失手被捕的前幫派頭目在牢獄生涯中，發現了他對上帝的信仰。當他服刑結束後，他成為了一名牧師，並致力於保護受該幫派控制的社區少年。而素來與他不對盤的死對頭破壞了他的教堂，不只他的生命受到威脅，關係疏遠前妻及親生兒子也被綁架。牧師的內心必須在暴力本能與信仰中做出決定。

　　影片改编自渡边航所著同名漫画，讲述主人公小野田坂道在机缘巧合之下加入学校的自行车社，在自行车竞速的世界之中逐渐发挥自己潜能的故事

　　While hunting in the jungle, one day, Vijay save the life of a young man from the sudden attack of a wild hawk. There and then Vijay realizes that he have just save the life of a miraculous snake who have the powers to take the form of a human and who have been dating his beloved; also a miraculous female snake. Vijay browse this news to his five friends who immediately shoot the male snake to death. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six friends, killing them one by one by taking the form of humans. Now the only one who can save the six friends is a sage but it certainly looks like the miraculous snake might as well do away with all her enemies before the sage lay hands on her.

　　讲述的是宫本武藏和兵法名宿吉冈家族对决的故事，由动作片演员坂口拓饰演宫本武藏，山崎贤人饰演武士“忠助”——率领吉冈一族100人和其他流派的300人，为好友吉冈清十郎复仇，讨伐宫本武藏。

　　童年的一起突发事件，令彼得·帕克（安德鲁·加菲尔德 Andrew Garfield 饰）和父母生离死别。转眼彼得成为一名高中生，他偶然发现父亲的公文包，并从叔父本（马丁·辛 Martin Sheen 饰）处得到线索，于是启程前往奥斯库公司拜访父亲当年的合作伙伴——科特·康纳斯博士（瑞斯·伊凡斯 Rhys Ifans 饰）。在公司内四处寻找线索的彼得意外被蜘蛛咬了一口，回程途中他的身体发生奇异的变化。在康纳斯博士德引导下，彼得不断了解并发掘体内着超乎寻常的能力，喜怒哀乐，各种意想不到的事情迅速向他袭来。直到某日，他便成了影响深远的超级战士蜘蛛侠。
　　而城市内也出现了凶恶的蜥蜴人，彼得不平凡的人生就此展开……

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.