玉女风流

　　宁静祥和的闯堂镇，即将迎来万众瞩目的许愿大会，镇民们为了这次盛典齐心协力。闯堂兔的父亲兔飞是一个极为聪明博学的博士，此前博士因某种原因带着“闯堂之轮”从小镇消失，气坏了身为镇长的爷爷，从此兔博士和“闯堂之轮”便成了小镇的禁忌话题。虽然也闯堂兔和弟弟堂堂参与盛典的准备工作，可是手忙脚乱惹出不少的笑话。在爷爷的呵斥下，他们随同美丽的小猫蝴蝶前往神殿检查电力系统，却意外在地下发现神秘之人，这些人似乎正策划破坏盛典。为了保证许愿大会的顺利进行，闯堂兔他们齐心协力和这群坏蛋作斗争，结果发现背后隐藏着更大的阴谋……
　　本片是武汉玛雅动漫公司投拍的武汉第一部动画电影。

 八十年代的上海，公交车上售票员的服务态度引起广大市民的关注和议论。小青（陈以心 饰）态度热情、尊老携幼，深得乘客称赞。而小黄（迟志强 饰）正与之相反，借囗嗓子疼，站名也不报，乘客对他意见很大。而驾驶员小洪（张明明 饰）则对交警小白（于延 平）老让她吃红灯有一肚子怨言。饭店工作的小葛（王伟平 饰）是个革新能手，他发明了报站扬声器及红绿灯自动显示装置。在改革发明中，小字辈们渐渐产生友谊，进而发展为爱情，不少人成双成对出入公园等娱乐场所，热衷发明的小葛不善于对爱慕着他的小青表达自己的感情，于是，他通过录音带传递自己无法说出口的话。小革新、小发明不仅增强了年青人热爱学习的兴趣，也让他们对未来的生活充满信心......

 旅居海外的华侨总会想在三十层楼上修建一座苏州园林，黄子郎受命来到故土苏州选聘能工巧匠。经过王教授的推荐和严格考核，中选者却是只有初中文凭、连正式瓦工都没混上的晶晶，而且负责这项工程的设计师严芳芳竟然爱上了这位小伙子，同时还引出了另外一对半百老人的奇特姻缘。

 舞台上，著名相声演员舒怀（赵炎 饰）和搭档谢林（郑健 饰）逗得观众哈哈直笑，台下掌声雷动，观众欢呼要求返场，并且要求说个新段子。但是舒怀成名后疲于应对各种社交应酬，没有精力潜心创作，弄得他在梦中困在舞台上羞愧难当。正在焦急万分的时候，他被老婆梅英从睡梦中叫醒，梅英和他商量要给他母亲操办六十大寿。妻子前脚刚走，有客来访邀请舒怀参加即将举行的曲艺大奖赛，当然他必须为此拿出新的段子。舒怀叫上谢林躲到某渔村搞创作，而过上新生活的村里请客送礼的歪风蔚然成行。才出狼穴，又入虎口。 新的人情网让舒怀更加苦不堪言……

　　An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.
　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"
　　About the director
　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.