天堂陌影

青年王二怀揣电影梦屡遭拒绝，女友也失望离去。他带着记录村民故事的笔记本回到家乡，用真诚打动乡亲们凑成草台班子，拍摄属于他们自己故事。面对城市资本的诱惑，他选择守护村里的根。最终电影上映，他与支持他的小梅开起喜饼店，把平凡日子过成了真实的甜。

 在乡镇企业当厂长的孙阿满（沈伐 饰）急需专业技术人才，在人才技术交流会上，他结识了女大学生王小燕（李云娟 饰），而小燕所学专业正与阿满厂里所缺专业对口。高兴之余阿满心存担忧，因为老婆山秀（岳红 饰）最见不得他和年青女孩在一起，知道就要吵翻了天，并明确规定，阿满的厂子不能有女性。求贤若渴，阿满对小燕道出原委，小燕非常理解阿满的心情，决心女扮男装去阿满企业上班。王小燕凭自己所学的专业知识，很快使企业打开局面，生产量和盈利额蒸蒸日上。全体职工对这个新来的技术员刮目相看，刚开始山秀也没发觉小燕是个女的，等大家知道真相后，纷纷要求阿满废除那条不招女工的“荒唐”规定......

 在110报警台工作的公安干警秦纤纤、霍元乙和秦明等人，为保护人民安居乐业，改善社会治安环境，以高超的本领和先进的电脑报警指挥系统与抢劫犯罪团伙斗智、斗勇，战斗在保卫人民的工作岗位上。

　　An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.
　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"
　　About the director
　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.