秩序和道德

　　本片改编自真实事件，讲述了南方一座城市中突发一起爆炸危机事件，公安民警在第一时间展开迅速救援和周密侦破，为排除其他爆炸隐患，守护群众安全，马进（段博文 饰）和朱江（胡浩博 饰）等人冲锋在前，用无畏与初心不断化解危机，用血肉之躯筑成一座“钢铁长城”，与犯罪分子展开了一场争分夺秒的全城排爆。

　　1989年戈尔巴乔夫访华以后，中俄恢复了全面贸易。“北京——莫斯科”的国际列车顿时热闹起来，人称“国际倒爷”的中国商人带着各式各样的货物向俄罗斯、波兰等东欧国家蜂涌而去。接踵而来的是一些歹徒也看准时机纠集成伙在列车上进行疯狂的抢劫、强奸，无恶不作。为了保卫改革开放的成果，维护我国的国际形象，彻底打击这群恶势力，保证中外旅客的安全，我公安部门派出以向冲为首的专案小组赴俄，协同俄罗斯警方进行侦破。把这伙匪徒捉拿归案。向冲的助手们乘飞机先行到达莫斯科，他自己则乘坐国际列车。以便深入了解案情，果然，在列车驶入俄罗斯境内后，犯罪分子乘着夜色动手了，旅客们有的被抢劫，有的被轮奸，向冲被掠劫的匪徒惊醒以后与正在行凶的劫匪展开殊死搏斗，终因寡不敌众，被匪徒们从车窗推下火车。 向冲死里逃生，带伤赶到莫斯科，助手们已经到达。向冲在我驻俄大使馆的协助下很快与俄警方接上了关系，俄警方派出女警官娜塔沙与中方合作。她负责外国人犯罪事务，对中国人有些成见，起初合作不力，向冲和助手们不畏艰难，忠于职守，想方设法查找犯罪分子的线索，获得娜塔沙的敬重。中俄警方密切配合，终将犯罪分子一网打尽，并赢得了娜塔沙警官的友谊，他们在莫斯科车站的月台上依依惜别。

　　电竞高校迎来了前所未有的危机，专打黑赛的神秘战队K前来踢馆，势要将电竞高校的牌子踩于脚下。校长委任学校第一顺位的RPG战队前去迎战，但却让战队中第一上单的天谷将参...

　　私家侦探孟波（成龙）与死去搭档的妹妹惠香（王祖贤）刚同报业大王今村商讨完寻找其失踪女儿清子（后藤久美子）下落的办法，就见清子与若干滑板少年在街道上左穿右插，一番穷追后，清子消失。惠香本想到孟波家后为孟波举办生日舞会，不想推门发现早已有七个美女正望穿秋水，一怒之下，惠香扬言会与表哥大脚板（单立文）在赌船“富贵号”上预支蜜月。
　　孟波赶到码头欲向惠香解释，不想左找右找不见其踪影，此时“富贵号”启航在即，孟波混在鱼贯涌至的游客中上了船，清子以及装扮成性感女郎的香港警察芽子（邱淑贞）也在这条船上。三个女人一台戏，何况又加一个好斗、好色的孟波。

　　自从艾芙芭（辛西娅·埃里沃 饰）与格琳达（爱莉安娜·格兰德 饰）分道扬镳、形同陌路之后，各自承受她们做出的抉择所带来的后果。
　　被冠上“西方坏女巫”恶名的艾芙芭遭到放逐后，隐居在奥兹国树林深处，但是却仍然为被噤声的动物争取自由而奋斗，并且迫切地想要揭露她所知道关于奥兹国大巫师（杰夫· 高布伦 饰）的真相。
　　与此同时，格琳达已经成为奥兹国光鲜亮丽的良善象征，她住在翡翠城皇宫中， 享受她的响亮名声和超高人气所带来的明星光环与特权。在莫里贝尔夫人（杨紫琼 饰）的安排下，格琳达成为奥兹国人民眼中充满粉红泡泡的安抚力量，并且让他们相信奥兹国在大巫师的统治之下一切都很好。
　　当格琳达的明星光环越来越闪亮，她也准备和费耶罗王子（乔纳森·贝利 饰）举行一场盛大的婚礼，但是她却一直受到她和艾芙芭分开后的阴影所纠缠。她试图促成艾芙芭与大巫师之间的和解，然而她所有的努力都以失败告终，使得艾芙芭和格琳达的关系越来越疏远。她们的关系决裂所造成的影响，将彻底改变博克（伊森·斯莱特 饰）与费耶罗的命运，也将威胁到艾芙芭的妹妹涅莎萝丝（玛丽莎·博德 饰）的安危，而一名来自堪萨斯州的少女也将闯入奥兹国，彻底翻转他们的世界。
　　当一群愤怒的民众揭竿而起，打算对抗西方坏女巫，格琳达和艾芙芭就必须最后一次携手合作。当她们的友情成为改变她们未来的关键，她们就必须以真心诚意和无比的同理心真正了解彼此，并且改变自己，也让整个奥兹国变得更美好。

　　未来某日，中国海军截获关键情报——一艘超级潜艇正密谋一项针对我国东南沿海城市的绝密军事计划。我方派出最新型潜艇“龙鲸号”，与蛟龙小队协同作战。海底战场险象环生，蛟龙遭遇重重陷阱，潜艇与敌多番埋伏周旋，更驶入海底火山口遍布的广袤深海，一场惊心动魄、攸关生死存亡的深海决战拉开帷幕……
　　该影片为《红海行动》续作。

　　天山派李秋水（林青霞 饰）爱上掌门师兄逍遥子，却不知逍遥子所爱的其实是李秋水的孪生妹妹李沧海（林青霞 饰）。而天山童姥巫行云（巩俐 饰）对李沧海亦有超越性别之爱。逍遥子被同门叛徒丁春秋（徐少强 饰）下毒中伤，被迫归隐到飘渺峰，设下“玲珑棋局”等来本性善良、佛性极深的有缘人虚竹 （林文龙 饰），将百年功力悉数相传，以期代他清理门户。 为夺少林宝物，丁春秋率阿紫（张敏 饰）、诱动连手的李秋水等人欲血洗少林，得到了逍遥子毕生功力的虚竹在巫行云的帮助下临危受命，与丁春秋展开了回合大战。

　　电影主要讲述的是缉毒警察在卧底队员的配合下，里应外合彻底击败钉公贩毒组织的故事。

　　An ancient Inca martial arts manual is protected by its only heir with the best fighters in the world on the hunt after him, including his brother, which'll trigger the bloodiest revenge.

　　朝鲜中宗22年，王为了躲避宫中出现的怪物而迁宫。改编自这段史实，讲述了威胁王的「物怪」（诡异的物件）与觊觎王位的循旧势力展开的争斗。

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!