李翰祥一身兼編導兩職所炮製的《皇帝保重》，內有三個以男女情色為主題的單元故事，戲謔一眾色中餓鬼。〈袋中春〉一劇描述六旬漢劉老吉（谷峰）本買來一位雙十姑娘，豈料洞房之夜給一書生以老嫗掉包；第二單元〈春色無邊〉講述大官詹筆峰（李鵬飛）除被青春風騷的潘寡婦（陳萍）騙去千兩黃金外，更被迫娶老寡婦為妻；最後之〈皇帝保重〉則寫同治皇帝（汪禹）因想盡享魚水之歡而出宮嫖妓，後染上性病的野史。
东哲经营一家小酒吧，他总是对他的同学会很热情举办。有一天，他办同学会，多位男女毫无拘束玩乐，饮酒大吃，在酒店屋内也露营外宿，无论开黄腔或大搞性爱，很自然发生爽快的出轨性交场面，即使他们是已婚，而和旧同学作出超友谊性关系，搞成一片，不在乎，像禽兽一样。 东哲英俊潚洒，他的妻子出远门，他在同学会认识金研，她有娃娃脸的纯真和活力，奶大貌美，能吸引男人起色欲。虽东哲已婚，仍酷爱沾花惹草，风流成惯，她也有男友，但不知东哲已有妻室 ; 两人还是时常私密幽会偷情，亲热上床火辣性爱，尽情享受鱼水欢淫，快乐似仙侣。 他们开始一段姦情，妻子突然回国返家，因其妻经常到外国公干，两人感情也变得陌生且冷漠，妻子要求丈夫冷静思考实况，并好好照顾自己，再见了....。当他们(东哲和金研)知道彼此的秘密，他们的爱情会继续吗？理应是肯定的....
惠利在家用的筆記本電腦壞了，叫來女兒的男友玄宇幫她修理，在散發著淡淡香氣的房間裡修理電腦的玄宇，竟然在筆記本電腦中看到了文件夾內的文件——是惠利在客廳裡以狂野的姿勢做瑜伽的視頻，這讓玄宇一看就難以自拔…
导演郑秀晶体验了第一部电影的失败。她想以一个华丽的方式归来，但现在没人想要她。后来有一天，机会来了，但这是一部情色电影...
她是“天翔少女”郑秀晶。七年前，郑秀晶制作了一部电影叫“天翔少女”，这部电影只有两万观影人数。她咬紧牙关通过制作第二部电影来挽回她的失败。有一天，她接到帕克的电话邀请她合作拍色情片，帕克是一个流氓和电影导演。影片的女主角是日本的AV女孩。郑秀晶拒绝了邀请然后回到家里，但家里等着她的是未付的租金及票据。郑秀晶看完AV女孩的色情片后打给帕克并提议她开始一个女性专用的作品。她要一个星期用100万韩元拍完电影。她能做到吗？
当加奈子前往父母家生孩子时，朋也最终独自生活。就在我准备出去喝酒，感受许久以来第一次单身的感觉时，我嫂子突然出现了。事实上，刽子手是为了缓解朋也与丈夫关系紧张所带来的压力而来，并以帮忙做家务为借口来到朋也家的。然而，随着她逐渐显露出真面目，她开始直接向他坦白自己的处境，而朋也因他们共同的痛苦而感动，便与她同床共枕。就这样，当 Kanako 不在的时候，两人通过渴望对方的身体来缓解性方面的挫败感
Dong-hyeon and Yong-joon coincidentally meet at an acting audition. A strange gentleman appears in front of the both of them who are sick of failing at these auditions and suggests something to them. Meanwhile, Ayaka comes to Korea with her best friend Saori to meet her fiancé, Min-joon's parents. She runs into Dong-hyeon and Yong-joon who ask her to star in something and although she's not up for it, she's ushered into doing it by Shiori who loves handsome men. They move locations to a run-down facility and suddenly all exits are blocked and the four of them are trapped. Ayaka looks for an exit but instead finds cameras put up everywhere and gets the feeling that they are being watched. She suspects Yong-joon and Dong-hyeon of being behind this. Suddenly, young men overdosed with gas appear out of no where and try to rape Ayaka and Shiori. Dong-hyeon and Yong-joon fight them to save the women. All this is recorded live and sent to a crowd who is watching from a theater,enjoying it. Yong-joon and Shiori escape into another room but soon they are gassed and they suddenly want each other so bad. Then Shiori loses her mind and kills Yong-joon. Min-joon is watching this amongst the crowd at the theater. What happened between Ayaka and Min-joon...?
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은밀한 도우미两个男人在家呆着很无趣，某天英勋说自己愿意负担费用，叫一个宠物女郎来家吧，第二天到达的两位宠物女郎，将用为期一周的服务，满足男主人的各种需求..
潜入黑帮池岛组内部的警察土屋满（永岛敏行 饰）某晚被组织杀害，土屋的妻子名美（夏川结衣 饰）伤痛欲绝，在葬礼结束后不久，她又被池岛组的混混强暴。绝望的名美割腕自杀，在被人救过来后她决定刺杀池岛组的会长池岛政信（寺田农 饰）为丈夫报仇。 第一次的刺杀为池岛组的干部村木哲郎（根津甚八 饰）所制止，随后名美以酒女身份接近池岛，她的美丽使池岛放松警惕，然而第二次刺杀再次失败。池岛的手下柴田（椎名桔平 饰）对名美进行残酷拷问，关键时刻村木出手相助。接连遭受挫折名美自甘堕落，而村木则希望救其脱离苦海。随着相处加深，两人之间渐渐产生感情。名美知晓了村木的身份，也终于知道丈夫遇害背后的秘密……
采访屡屡失败的正男被奈奈训斥了一顿。奈奈决定采取特殊措施，帮助正男放松身心、集中注意力。那天，奈奈却夺走了正男的同情心
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
