由于丈夫工作繁忙,夫妻关系日渐疏远,小百合变得焦虑,向公公吐露了自己的担忧,公公安慰了她。然而公公对儿媳妇却心怀不轨,得知儿媳妇的苦衷后,便寻机而为。于是公公就把儿媳妇叫进浴室,故意让她湿透,然后强行占有她的身体。尽管她极力抵抗,但是她的身体很快就对这许久未曾感受过的刺激做出了反应,最终在公公的怀抱中达到了高潮。此后,丈夫的空位由公公填补,她感到内疚,却无法摆脱禁忌的快
恩美和老公结婚5年了,却很少发生性关系。恩美深夜翻SNS,发现一条关于“请客”的帖子,想了几天,签了字为它做好准备,并受到贤智和她丈夫的邀请,以获得新的刺激体验。恩美与丈夫分享了她的经历,并与贤智和她的丈夫“交换”...
我做了一个梦…和你和华令睡在一起。金果和俊熙都很开心,直到有一天他们的女儿花妍,和另一个男人私奔回家。花妍和金果是一对在学校的夫妇,她怀孕了。事情发生得很快,他们和华令的母亲住在一起。然而,当华令发现她没有怀孕时,她和另一个男人合得来,离开了家。金果和珠熙在她离开的时候坠入了爱河。华令与另一个男人分手,回到家。然而,她觉得金果还在她妈妈家很奇怪。金果和俊熙撒了各种各样的谎言来掩盖事实真相。
数月之内,接二连三的发生夜归妇女失踪案件,她们之中有妓女、学生等。没人知道她们已经被杀,尸体遭肢解,性器官被割下,甚至被人拍下照片欣赏。也许,她们登上的士时,还未发现英俊的司机李得仁会是女之屠夫。
惠利在家用的筆記本電腦壞了,叫來女兒的男友玄宇幫她修理,在散發著淡淡香氣的房間裡修理電腦的玄宇,竟然在筆記本電腦中看到了文件夾內的文件——是惠利在客廳裡以狂野的姿勢做瑜伽的視頻,這讓玄宇一看就難以自拔…
女一女二两个好闺蜜在假期外出游玩,来到一家店里住下,女二身经百战,跟很多男人做过,女一还是个处,女二便给女一传授经验,两个女人在探讨下也被勾起了欲望,于是分别勾.搭了两个男人,上演了一番激.情.戏,两男两女事.后一起玩耍,而女一号听说跟女二做.爱的男人非常勇猛,于是开始勾.搭.闺.蜜.的男人,而女二也不甘示弱,两个男人也开始了一场持久力大比拼...
29岁的家子在中学时遭到了继父的强奸,自此,她拒绝现实中的爱情,也从没谈过男朋友,只沉醉于虚拟的网上性爱。男主修君有一个神经质的母亲,自父亲意外去世后,他便成了母亲唯一的性虐物,这让他经常自虐,手腕上都是条条血痕。家子的内心强烈抵制着现实中真实的男人,而修君坦承他一直阳萎。一对身心强烈扭曲的男女就这样相遇了。
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez