在新疆无垠的静谧雪原上，一个逃离都市的年轻女孩，与一个将回忆锁进信笺的孤独老人，意外成为彼此的“临时家人”。他们一个学着与过去和解，一个学着向未来敞开，在极致纯净的天地间，共同写就一封关于温暖、陪伴与重新开始的冬日治愈诗篇。
Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself. When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.
安雅负责打理马祖里森林深处的一座豪华别墅，专门接待前来度假的富豪租客。她的下一批客人是两对情侣：富有魅力的莱昂与美艳动人的埃莱妮，以及憨厚的布鲁诺和他相恋多年的女友玛格达。 布鲁诺认出了安雅——八年前，安雅的妹妹莫妮卡曾是莱昂的女友，却死于莱昂汽车炸弹爆炸事件。尽管多方作证，莱昂仍以谋杀罪仅被判入狱八年。此刻的莱昂似乎刻意忽视这场重逢，只顾沉溺于纵情享乐，并暗中与布鲁诺谋划一桩见不得光的加密货币交易：二人背着老板，将黑钱投入数字货币市场，企图在24小时内通过币值暴涨套现1000万。 安雅同样认出了莱昂，渴望逃离别墅，却又不得不留守看管财产。她与莱昂共饮一杯后……次日清晨竟在森林中惊醒，手中握着染血的刀。不远处河道里，她惊恐发现莱昂的尸体正随水流漂浮。对于昨夜发生的一切，她毫无记忆，更不知该如何面对……
