赤火追缉

　　系列电影《机械师》第一部中，假装死亡的顶级杀手亚瑟（杰森·斯坦森饰）金盆洗手，过着普通人平静的生活。在一桩看似意外的事件中，亚瑟的红颜知己梅（杨紫琼饰）请求亚瑟解救屡屡遭人毒打的神秘女子吉娜（杰西卡·阿尔芭饰），哪料，向来对爱情有免疫的亚瑟，竟与吉娜坠入了爱河，然而他平静的生活也因此被打破。
　　五年远离是非的生活风平浪静，亚瑟以为自己已经和过去的杀手生涯告别，然而宿命难敌，竟然有人暗中盯上了他，亚瑟的身世之谜也浮出水面。原来，他年幼时和一群孩子被军火商抓去，训练他们玩枪、杀人，难以忍受的亚瑟从军火商手中逃脱，而他的一位小伙伴长大后却成了军火商的接班人，也是影片中的最大反派。
　　这位反派找到了亚瑟，并绑架了他的挚爱吉娜，要挟他去刺杀三个世界上头号危险人物。为了他和他的爱人能够逃脱，亚瑟被迫再度从事刺客工作，他必须在有限的时间内完成一系列不可能的刺杀任务。
　　亚瑟深知反派的残暴，最终一定不会放过自己，在成功暗杀了两个目标之后，亚瑟和第三个目标——另一支规模庞大的军火商头目亚当斯（汤米·李·琼斯饰）结成同盟，一同对付他们共同的对手。那么，亚瑟最终能否和吉娜一起逃脱，平静的生活能否再继续……

　　一组老练的雇佣军发现自己被美国政府出卖，被迫卷入战斗…

　　一日，一伙恐怖分子秘密进入我国境内意图不明。公安、国安、武警、解放军迅速决定联合作战，多方侦察下确定恐怖分子隐藏山村。特战分队抵达山村，准备引导无人机对恐怖分子隐匿建筑进行精确打击。就在无人机准备投弹时，狙击手发现恐怖分子的队伍中有数名未成年人。所有指战员怀揣着人道主义精神和中国军人的使命感一致决定修改行动方案，特战分队以雷霆万钧之势向敌发起攻击，干净利索地解决掉恐怖分子。

　　李威七年前偕手下械劫金行,事败被补,复因枪伤警探罪名,被判监七年.此丑事令李次家人备受拖累,其父郁郁而终,妹阿芬误入岐途,弟阿俊则飘然远去,过其海员生涯.七年后,李威出狱,痛改前非,以驾驶的士为业,惜其弟李俊并未原谅其过失.李威偶然碰到旧街坊阿May已成为警队中的女干探.李威虽决心洗手不干,奈何其旧日手下仍然有求于他.此事令李威大为烦恼.李威后因分赃之事,跟昔日手下载伟有猛烈冲突.七年前被李威枪伤之警探泰国基亦一直怀恨在心,亟欲报一箭之仇.与此同时,李威与女探员阿May感情日增.阿May终于发现李威是已经改邪归正之悍匪.二人发生争执.阿May对李威一往情深,并坚信李威不会重蹈覆辙.李威后来遭泰国基和载伟设计陷害,其弟李俊任职之船公司被众匪打劫,李俊亦惨遭杀害.李威在阿May及众警探监视和保护之下,幸免于难,而恶人终有恶报,泰国基和载伟都死于特警乱枪之下

　　墨龙鼎，一个看似普通得不能再普通的香炉！数十年，却不断有人因它丧命！
　　李少白决定探寻有关福王宝藏的秘密，带着墨龙鼎赶往阴山，却成为众多盗墓者眼中的猎物。吐蕃郡主含笑的魅惑，让李少白误食毒药，幸得菱儿相救才化险为夷。
　　阴山龙吟寺闹鬼，李少白拜访寺内主持不悔大师，多次遭拒。之后又遭神秘人偷袭，墨龙鼎被毁。而菱儿又被女鬼抓去，危在旦夕。
　　李少白再次拜访不悔，含笑正带人围攻龙吟寺，向不悔寻仇。危机时菱儿带女鬼出现，才知那女鬼就是含笑的生母，而不悔竟是含笑的父亲，墨龙鼎真正的传人——墨龙之子墨青！

　　《白发魔女传》由梁羽生同名小说正版授权改编。重新演绎白发魔女练霓裳与武当掌门卓一航的经典爱恨情仇故事，浓墨重笔明末乱世从庙堂到江湖的纷扰武林争斗……
　　明末，皇上病重，东厂魏公公（徐少强 饰）妄图夺权。武当弟子卓一航（施俊喆 饰）奉命护送红丸给皇上治病，途中被明月寨人袭击。交锋中，卓一航发现袭击者是自己儿时所救的狼女练霓裳（张维娜 饰），两人相认，互表心意，相约浪迹天涯。然而，爱人却敌不过奸人陷害，卓一航误会练霓裳杀害武当掌门。练霓裳被捕入狱，伤心欲绝一瞬白头，武力大增……

　　菲律宾火爆动作片，由菲律宾大导演埃里克·马蒂执导，曾执导过《末日杀神》,《敌魔修行》,《贪婪的代价》等优秀作品。从预告看，各种巷战，各种血肉模糊。女主与穷凶极恶的毒贩斗恶，结局只能你死我活，在最危险最封闭复杂的贫民窟中，上演暴力交响曲！女主强悍，帅呆

　　Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
　　"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

　　九岁的小女孩玛丽（艾丽·范宁 Elle Fanning 饰）拥有锦衣玉食的生活，却缺乏父母的陪伴。圣诞节前夜，玛丽收到了叔叔送来的一份珍贵礼物——一个装木偶的小房子和一只胡桃夹子。喜出望外的玛丽将胡桃夹子视作自己的知心伙伴，竟意外地发现它会说话，并声称自己名叫NC（查理·罗 Charlie Rowe 饰），是玩具王国的王子，然而在一场噩梦中，美好的王国被凶残的鼠王（约翰·特托罗 John Turturro 饰）占领了，他还将王子变成一只木偶永远驱逐出境，只有找到真正相信童话的人才能解除咒语。在雪仙子（朱莉娅·维斯托斯卡亚 Yuliya Vysotskaya 饰）的指引下，玛丽帮NC恢复了肉身，并勇敢地答应与他一起回王国打败鼠王，解放子民。然而，这两个毫无武力只有一颗纯真之心的孩子，能否对抗整支血腥残暴的老鼠大军和卑鄙狡猾的鼠王呢？
　　片中歌曲多数改编自柴可夫斯基的交响乐，其中一部分来自芭蕾舞剧《胡桃夹子》。