兄弟契约

　　扎克（戴恩·库克 Dane Cook 饰）和文斯（戴克斯·夏普德 Dax Shepard 饰）供职于一家全国规模最大，商品最齐全，折扣最丰富的超级市场中，在这里，成为每月的“明星雇员”无疑是每一个工作人员的理想与希望。这十年来，履历、年龄、工龄均极为相似的扎克和文斯却走上了两条完全不同的道路，扎克工作勤勤恳恳，恪尽职守的他不仅被连升数职，更是连续17次获得了“明星雇员”的称号。反观文斯，生活里乏善可陈，工作中偷懒耍滑，所以直到现在，他依旧处于超市食物链的最低端。
　　一个名叫艾米（杰西卡·辛普森 Jessica Simpson 饰）的女人的到来打破了扎克和文斯平静的生活，漂亮的艾米声称，她只和“明星雇员”约会。为了争取和艾米约会的机会，文斯决定作出改变。

　　“Netflix？真搞笑！”喜剧节亮点集锦：顶尖单口喜剧演员和喜剧新星笑谈性、育儿、政治和小气等话题。

　　同是水瓶座的中年人伊藤博（槙田雄司 饰）和高中生黑田甲贺（池松壮亮 饰）各自经历着人生最低迷的时刻。兢兢业业的伊藤在保险公司担任课长，他认真完成工作，然而总是遭到上司的各种压榨，胸中有着无限的苦闷。黑田和担任警察的父亲交流不畅，戾气十足的他如火药桶一般，随时挥拳相向。某天晚上，渴望发泄的伊藤偷走一部听在便利店门口的汽车，恰巧目击这一幕的黑田则骑着摩托追了上去。令二人想不到的是，车上竟然有一个嗷嗷待哺的婴儿。原来他们所在的城市正因为在开发事业而吵得沸沸扬扬，主张再开发的现任市长犬养亨（佐野史郎 饰）指示黑帮偷走了观点对立的市长竞选者大隈泰三（野间口彻 饰）的儿子。
　　无意间卷入纷争两个人，即将迎来人生最大的波澜……

　　因为尘封在一所民居下的哥窑遗址，高学历盗墓贼叶开，改头换面潜入农民吴为家，贪吃蛇遇上善良农夫，上演了一场好玩的夺宝故事。从活人家里偷东西，谋财必然离不开害命，盗此一游，金钱VS良知，杀人还是救人，叶开面临着人性的考验。

　　1987. Denver, Co. One crazy night in the life of four friends reeling from the sudden demise of iconic British band The Smiths, while the local airwaves are hijacked by an impassioned Smiths fan with a gun. Based on true events.

　　乌玛·瑟曼主演喜剧片《英国佬来了》，故事讲述一对古怪的英国夫妇计划去洛杉矶盗窃珠宝。导演詹姆斯·奥克利将于今年7月开拍本片。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
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