Five Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.
在一个反乌托邦的末世未来，地球上最后一个人类是由一台机器人抚养长大的。此人与毫无人类互动的孤独作斗争，并质疑神秘的宗教“手册”的教义，而机器人则声称《手册》是无比神圣的。。。
这部拍摄于1989年版的《变蝇人2》是1986年版《变蝇人》的续集，影片承接第一集母亲维尼卡怀上赛斯孩子的伏笔，当她产下一枚蝇蛹时被当场吓死。当局的科研机关巴托工业园收养了苍蝇之子马丁·布朗多（艾瑞克·斯托罗兹 Eric Stoltz饰），由巴托工业的老总巴托先生（约翰·盖兹 John Getz饰）抚养。巴托先生密切监视着马丁的一举一动，表面上把马丁视如己出，实则却把他当作研究对象，暗地里用摄像机记录下他所有的生活过程，让马丁研究他父亲生前的时空传送装置。马丁看上去英俊帅气，无异于常人，除了的惊人的生长速度和超人的天资才能。不久，马丁就与美丽的贝斯·洛根（达芙妮·祖尼加 Daphne Zuniga饰）坠入爱河。可隐藏在马丁体内的变异染色体突然苏醒，等待马丁的是变成下一个“苍蝇人”的恐怖噩耗。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
在一场死亡率不是1%，而是98%左右的疫情之后，艾莉离开了她的街区，到了一个新的城市，在那里她遇到了奎恩，一个对新世界有独特生存之道的人。
动物园准备开放，聘请一班实习生到访实习，没想到一种神秘病毒在动物园内开始蔓延爆发，全动物园的动物因而变成噬血活尸，成了真正的尸乐园，现在园区内的幸存者除了得想办法逃出生天外，还必须阻止这群饥肠辘辘的动物活尸走出园区……
