在110报警台工作的公安干警秦纤纤、霍元乙和秦明等人，为保护人民安居乐业，改善社会治安环境，以高超的本领和先进的电脑报警指挥系统与抢劫犯罪团伙斗智、斗勇，战斗在保卫人民的工作岗位上。
“鲜又美”小吃店的老板冷月眉（陶醉娟 饰）和“忘不了”小吃店的老板老和尚（龚一飞 饰）因为在生意上是竞争对手，所以两人之间的关系一直都非常的紧张，巧合的是，两家小吃店的小字辈宋巧英（殷士琴 饰）和小和尚（钱程 饰）却在暗中走到了一起。 这一天，冷月眉和老和尚再一次因为抢生意而吵得不可开交，而小和尚心里却打着另外的算盘，他一心想要撮合单身已久的两位老板，这样不仅能够解决他们之间的商业矛盾，还能够让他们的后半辈子彼此有个依靠。农贸市场的小贩乌贼鱼（董霖 饰）也对冷月眉心心念念，还三番五次的骚扰她，这让老和尚看在眼里，心中醋坛子早已经打翻。
为了帮朋友的忙，刘杉（葛优 饰）成为了学校里的代课老师，没有系统学习过教书育人的他决定用一套自创的方式教育学生，让他感到意外的是，他的这套“旁门左道”竟然让他受到了学生们的信任和爱戴。 一连串的突发事件让刘杉和女友之间的感情产生了裂缝，女友最终选择了离开。与此同时，他的 某些做法引起了学生家长和校方领导的不满，他们以刘杉的“合同”已经到期为由，命令他卷铺盖走人，尽管刘杉很舍不得班上的学生们，但“军令难为”，他不得不走。临行前，他与两情相悦的同事甄贞（剧雪 饰）相约，在“上一当”餐厅对彼此做一个最后的告别。
An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats. There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!" About the director Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.
