Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself. When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.
安雅负责打理马祖里森林深处的一座豪华别墅，专门接待前来度假的富豪租客。她的下一批客人是两对情侣：富有魅力的莱昂与美艳动人的埃莱妮，以及憨厚的布鲁诺和他相恋多年的女友玛格达。 布鲁诺认出了安雅——八年前，安雅的妹妹莫妮卡曾是莱昂的女友，却死于莱昂汽车炸弹爆炸事件。尽管多方作证，莱昂仍以谋杀罪仅被判入狱八年。此刻的莱昂似乎刻意忽视这场重逢，只顾沉溺于纵情享乐，并暗中与布鲁诺谋划一桩见不得光的加密货币交易：二人背着老板，将黑钱投入数字货币市场，企图在24小时内通过币值暴涨套现1000万。 安雅同样认出了莱昂，渴望逃离别墅，却又不得不留守看管财产。她与莱昂共饮一杯后……次日清晨竟在森林中惊醒，手中握着染血的刀。不远处河道里，她惊恐发现莱昂的尸体正随水流漂浮。对于昨夜发生的一切，她毫无记忆，更不知该如何面对……
改编自山内麻里子的同名小说，聚焦同样在都市生活境遇却截然不同的两个女子——门胁麦扮演生于大城市、被呵护长大的大小姐榛原华子，正全身心投入相亲；水原希子扮演从小地方来东京打拼，自己拼出一条活路的时冈美纪。
影片以日本随军记者秋山和美的调查为主线，揭露日军慰安所黑幕及731部队人体实验等历史档案，展现其因揭露真相被迫害沦为慰安妇的经历。剧情通过主角撰写《地狱中的慰安妇》调查报道，还原慰安妇强制征召体系及日军制度化性暴力运作机制。该片是早期触碰到“慰安妇”主题的影片，影片曾在录像厅、小县城火车站放映，后经删减在CCTV6播出，使许多观众首次了解到“慰安妇”历史，上映后亦引发对战争遗留问题的社会讨论
洛桑的三岁孙女央金被酒后驾驶拖拉机的豆拉伽撞成了高位截瘫，由此引发了三个家庭的矛盾，最后和解，实现了信仰与法律的相辅相成。
