A small town in the south is ravaged by a serial killer, with everyone being a suspect including the police.
赤松德郎是个脚踏实地的小型运输公司老板，一直努力维持公司，然而某天他公司的货车发生轮胎飞脱导致年轻母亲死亡的事件，在警方和媒体都认为他是杀人凶手之时，赤松查出全国都出现类似的事故，全部都涉及大型汽车制造商「希望汽车公司」的汽车，于是赤松为了证明自己无罪讨回公道，只身挑战庞大企业。
Drag queens and club kids battle zombies craving brains during a zombie outbreak at their drag show in Brooklyn, putting personal conflicts aside to utilize their distinct abilities against the undead threat.
瑞秋（泰莉莎·帕尔墨 Teresa Palmer 饰）和安东尼（史蒂芬·克里 Steven Cree 饰）本来拥有一个幸福的家庭，两人共同抚养着上天恩赐给他们的一对可爱的双胞胎，一家人生活在平和与其乐融融的气氛之中。哪知道，一场突如其来的灾难在迅雷不及掩耳之际袭击了这个家庭，双胞胎中的哥哥不幸丧生，剩下的人则要体味无穷无尽的痛苦。 为了摆脱阴暗的过去，尽快走进新的生活，瑞秋和安东尼决定举家迁往宁江的乡村小镇，在那里修复这个支离破碎的家庭，谁知道没过多久，种种异象便发生在了幸存的弟弟艾略特（Tristan Ruggeri 饰）身上，艾略特告诉父母，死去的哥哥并没有离开，而是一直纠缠和困扰着他。
厌倦了逼仄脏乱的小公寓，正值青春年少的美丽女孩冰通过网络找到一所宽敞阔气且租金极为便宜的大房子，事不宜迟，她连忙致电屋主预约时间，并叫上同公寓好友妮娜随她一同看房。虽然妮娜对该房第一印象不佳，却无法改变冰的决定。不久之后，满心欢喜的冰搬入新居，谁知从第一天开始便有怪事在身边发生。在此之后，种种诡异事件交替发生，甚至冰的意识也受到侵袭。担心好友的安危，妮娜赶来冰的身边。 只是恐怖事件并未就此告一段落，仿佛被诅咒了一般，美丽女孩落入充满玄幻和恐怖气息的死亡陷阱之中……
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
