守护者：世纪战元（国语版）

“清醒梦”(Lucid Dreaming)是在做梦时保持清醒的状态，又称作清明梦。影片讲述的是在3年前丢失了孩子的父亲通过清醒梦在梦中寻找线索的犯罪惊悚片。
　　《清醒梦》中，高洙饰演的“大浩”是热血记者出身，在职场上一旦盯紧什么事件就要追究到底，在丢了儿子之后通过清醒梦寻找线索，展现了一个孤军奋斗的父亲形象。薛景求将在片中饰演对诡异事件很感兴趣的警察“方燮”一角，他在得知事件之后也非常积极地帮助高洙。
　　姜惠贞饰演的是“大浩”的朋友“素贤”，也是精神科医生，对大浩在清醒梦中寻找线索给予指导。在“大浩”周边徘徊的神秘人物则由朴有天饰演。因为过去的因缘而积极帮助“大浩”的70岁退休黑道组织成员“成弼”由朴仁焕饰演。还有千振浩将饰演身怀秘密的大集团会长“赵明哲”。

　　越战期间（实际应该是入侵巴拿马）美军秘密研制的机器人代号黑金刚突然暴走。一队雇佣军潜入丛林进行搜索。大部分被干掉。最后队长与黑金刚决一死战时发现黑金刚其实是自己昔日战友改造而成。黑金刚在最后关头回心转意，启动自我毁灭。。。。

　　2002年冬天，横浜大桥突然被战斗机炸毁，媒体虽然报导此为自卫队战机所为，但实际上这架战机却并不存在。民众广泛对自卫队产生了不信任感。特车二课第二小队的后藤（大林隆介 配音）队长察觉此事与在99年的那场事件中失踪的自卫队队员柘植有关——1999年，日本陆上自卫队的机器人 小队在一次联合国维和行动中遭到全歼。而柘植是特车二课第一小队队长南云（榊原良子 配音）原来的恋人。民众的不信任感达到了顶峰，处于戒严状态的东京面临着大骚乱，人们被即将爆发战争的危机笼罩着。在自卫队王牌队员荒川的帮助下，后藤（大林隆介 配音）和南云追查到了柘植的下落。后藤招集起泉（富永美伊奈 配音）、篠原（古川登志夫 配音）等特车二课原来的成员们，启动PATLABOR机器人进攻柘植的根据地……
　　本片是押井守导演推出了《机动警察PATLABOR》的第二部剧场版。

　　The upcoming festive special will see the return of one of the Doctor's biggest and most feared enemies - the Daleks. The Doctor is locked away in a high-security alien prison. Isolated, alone, with no hope of escape. Far away, on Earth, her best friends, Yaz, Ryan and Graham have to pick up their lives without her. But it's not easy. Old habits die hard. Especially when they discover a disturbing plan forming. A plan which involves a Dalek.

　　改编自Michael Crichton的同名畅销小说。
　　此片是斯科特兄弟重导2008年的电视剧而成的迷你剧。
　　犹他州的皮德蒙特小镇，一对男女情侣正在山上约会，突然一颗人造卫星掉落。好奇的两人将卫星带回小镇，却不知道也将可怕的遭难带回了小镇。突然间小镇上爆发了可怕的病毒， 人们纷纷不明原因地死去。为防止病毒扩散到其他城市，军队封锁了小镇，并派出了代号为“仙女座”的科学队前去查明病源。队员包括：传染病学家Jeremy（本杰明·布拉特BenjaminBratt 饰）、外空生物学家Angela（克里斯塔·米勒 Christa Miller 饰）、微生物学家Tsi（金大贤 饰）、病理学家Charlene（维奥拉·戴维斯 ViolaDavis 饰）。同时，一个名叫Jack（艾瑞克·麦克马奇EricMcCormack 饰）的记者似乎也在探寻着不可告人的秘密……

　　海伦（琳德西·冯塞卡 Lyndsy Fonseca 饰）是一名科学家。一天，她接到了一通来自自己的神秘电话，随即便深陷于危险之中。迫不得已之下，她不得不闯入一个高度机密的设施并穿越时空回到过去，阻止一场谋杀。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.