二十世纪四十年代，丢失于清朝光绪年间的十二生肖像中的其中三面在民间出现。广州不法古董商莫云天就私藏其中的蛇面像，只要找到猴面像和虎面像后，就可以高价卖给英国商人而获取暴利。 为了不让三件国宝流出国外，文物局侦察员马成和爱国义士金祥一直暗中跟踪私藏猴面像的通缉犯韩奎。韩奎的猴面像在广州车站被莫云天抢走后不久，莫云天就通过盗掘古墓找到了虎面像。正在莫云天喜庆之时，刚到手的虎面像却被韩奎暗中劫...
武则天借万象神宫落成之际,安排能工巧匠利用阳光折射的技巧,使得万象神宫的金顶凤凰变活，展翅飞翔,并且还到引来万鸟朝凤的祥瑞奇观，引得百官惊呼武则天乃是天之神女，天命所归，而武则天便可以借此良机，顺利登基，岂料风云突变，天空出现天宫,并降下石头神将砸毁金顶凤凰，让祥瑞变凶兆,武则天大怒,再次急招狄仁杰回京彻查此案!狄仁杰再次临危受命,见招拆招,以其特有的智慧和创造力,破解了又一起奇案!
在完全扭转的时空中，要结束一切乱象的女子降临！ 渴望成为最强动作女明星的妍熙（安智慧 饰），意外进到了以剑术实力左右性命的奇妙平行世界。妍熙在这个世界中为了正义而努力击退不良分子，某天，真正的「鬼剑」登场，发生了一连串的事件……握在手上的这把剑，竟唤醒自己真实的身分！？
在两个伟大的古代帝国的十字路口，一个名叫大卫的简单牧羊人变身为一个强大的战士，并遇到了一个可怕的巨人。历史上最具传奇色彩的战斗之一在一个充满勇气和信仰的血腥故事中重演。
Set in a war-torn land where tribal factions live in fear of annihilation, the film tells the story of a deadly warrior leading a destructive war campaign. When he is betrayed by his own and left for dead, he is healed by a mysterious princess and taken in by a hidden tribe that believes he was chosen to wage a final battle.
《绝地狙击》是一部集枪战、谍谋、犯罪、爆破等元素于一身，且极具反转魅力的动作影片，讲述了狙击手查靖（李晨浩饰）为伸张正义、铲除邪恶毒瘤，带领索尔等队员不畏牺牲、团结奋战，与托尼古所在的邪恶集团展开殊死斗争，在付出惨重的代价后将其击溃，最终战胜黑恶势力的故事。
少林俗家弟子石燕侠偷了少林寺镇寺之宝达摩剑，只身来到边关大漠黄土岭，投店东京客栈，遭大漠匪贼钱多多暗算，背负骂名偷来的达摩剑落入钱多多之手。钱多多勾结官府县令胡瓜，抢劫过往商人祸害一方，石燕侠决定会会钱多多，替大漠边关除害。石燕侠夜闯钱府，中了钱多多的埋伏，危难之际得大漠土匪“三节棍”搭救。 “三节棍”是大漠深处的一支土匪，常年与钱多多作对，因为钱多多仪仗官府人多势众，“三节棍”屡屡吃亏。客栈老板听说石燕侠要除掉钱多多，夺回失窃的达摩剑，奉劝石燕侠与“三节棍”结盟。石燕侠借答谢“三节棍”之机，与“三节棍”结拜金兰，共同对付钱多多。 钱府屡屡有人“拜访”，钱多多意识到手中的达摩剑必是稀世之宝，于是加强了防范。杀机四伏的黄土岭突然来了一个名叫小杰的少林盲僧。小杰落脚西施豆花庄，得豆花庄老板娘西施姑娘食宿照顾。钱多多的公子做客豆花庄，垂涎西施姑娘的美色，动手动脚之间，让在场的小杰出手打死。 石燕侠是西施姑娘在黄土岭苦苦等待的情郎，背负骂名偷取少林达摩剑，是为了完成父亲生前的一个遗愿：找到真正的少林达摩剑，将带来的假剑葬于父亲的墓旁，把真的达摩剑归还少林寺。黄土岭危在旦夕，客栈老板动员黄土岭人帮石燕侠在大漠中找到遗落的真正的少林达摩剑……
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop? Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
