警察

　　老牌導演卜萬蒼首部為電懋執導的作品《同床異夢》，故事諧趣，講述一個女演員（李湄）如何貪慕虛榮，不甘寂寞，甚至結婚之後，還在外面胡天胡帝，結果被丈夫的哥哥（張揚）施計作弄，頓悟前非，從此與丈夫（雷震）過著幸福甜蜜的生活。本片寓教育於娛樂，使觀眾在笑聲中領悟夫妻相處之道。電懋兩位小生張揚與雷震分飾個性迥異的兄弟，盡顯當行本色；李湄先演好高騖遠、煙視媚行的女明星，後飾洗盡鉛華、平實溫柔的妻子，也是恰如其分。最值得注意的是王萊，一向慣演年長角色的她，在片中回復青春嬌俏，令人眼前一亮。

　　In the Alpine village of Tolzbad in the 1800s, the townsfolk talk quietly and restrain their movements lest they incur avalanches. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sonal film, complete with intertitles, crackly sound-track and 'hand-tinted' colour effects.- Written by Michael Brooke <michael@everyman.demon.co.uk>

　　板仓亮子（宫本信子 饰）是港町税务署的调查员，她工作认真负责，但在收到一位老婆婆的指责后，她不再将目光停留在普通老百姓身上，而是转移到大的商会上面。在她锲而不舍的追查下，许多狡猾的公司老板纷纷现出原形。不过亮子也有为难的时候，经营旅馆业的权藤英树（山崎努 饰）就是一条狡猾的老狐狸，任凭亮子怎样调查也找不到蛛丝马迹。
　　不久后，亮子因工作出色被调到国税局侦查科，她和同事齐心协力侦破不少偷税案件。随着一同匿名举报电话的到来，权藤的案子再次提出，亮子决心将其偷税事实彻底查清……

　　故事讲述了农村女孩肖大成不 甘于接受思想守旧的父母对自己人生的安排，大学毕 业后留在城市打拼并准备继续考研，奋发图强改变自 身命运。她从一个毫无存在感的小员工经历了生活与 工作的挫折与困苦，最终凭借自身的努力奋斗，蜕变 成为职场精英并收获自己的爱情的故事。同时通过描 写肖大成来自重男轻女的农村传统思想家庭中父母观 念的转变，也关注着时代的发展与进步。本片围绕当 代现实生活的平凡点滴展开，向平凡生活中每一位普通奋斗者致敬。

　　入选2016年柏林国际电影节论坛单元。
　　在国外拍片失败之后，26岁的安娜回到故乡斯特拉斯堡。此时正值天气炎热，她首先要做的是把祖母的浴缸换成淋浴。此外，她吃着青豆胡萝卜配番茄沙司、开着保时捷、采摘黄香李，还丢了驾照，和最好的男性朋友发生了关系，最后又回到了前任男友的怀抱。总之，这个夏天，安娜忙碌于应付生活。

　　印度索尼电影电影公司和印度制片公司Ellipsis Entertainment将制作《罗拉快跑》的印地文翻版。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　影片讲述了两个小人物二宝和三宝，因偶然参演了一部抗日神剧，从陕西农村一路追到广州寻找剧组而发生的令人捧腹又笑中带泪的故事。
　　一心想成为世界赌王的二宝（李璐兵饰），和视周星驰为偶像的三宝（柴陆饰），因偶然参演了一部抗日神剧，从陕西农村一路追到广州寻找剧组。乍到广州的二宝三宝，偶遇了燕窝店打工的小雯和妞妞，在相处的过程中互生情愫。二宝本为生计与靠行骗为生的贾假（贾旭明饰）对赌，却阴差阳错牵出肥雪 （林雪饰）和火鸟（刘序浩饰）因帮派恩怨势策划的一场以剧组掩人耳目的赌局对决。最终一系列阴谋逐渐浮出水面的同时，也让二宝三宝意外实现了梦想。
　　影片展示了普通小人物的坚韧与执着，令人深思的同时，也再次强化了周星驰的那句“做人如果没有梦想，与咸鱼有什么区别”的人生哲理。