罗密（国语版）

简介：本片改编自同名小说，讲述了主人公·梓失去了无可替代的挚友而止步不前，她不断给已故好友发送信息，由此开始，意想不到的邂逅接连发生，形成了一个巨大的圈子…

简介：年轻美丽的阿富汗女孩多尼娅的日子过得并不轻松，她曾为美军担任翻译，如今饱受失眠困扰。她独自居住在弗里蒙特的一栋公寓楼中，邻居大多是和她一样的阿富汗移民。她常常一个人去一家生意萧条的餐厅，一边吃饭一边看肥皂剧。多尼娅在城里的一家幸运饼干工厂工作。一天，老板给她升了职，让她负责在幸运饼干的签纸上写签语，她的生活也随之改变。随着越来越多湾区的陌生人读到她的签语，多尼娅心中有了一个愈发难以克制的念头:向世界传递一条特别的信息——虽然她并不确定这条信息将去往何方。

简介：电影《如歌少年》在浙江丽水开机拍摄，该片由青年导演施炳权执导，演员涓子、汤嬿等领衔主演，主要讲述了新时代的几名初中学生关于青春励志成长与梦想追求的故事。

简介：居住在中国最东边小岛上的三个青年马浩汉（冯绍峰 饰）、江河（陈柏霖 饰）、胡生因为人生面临巨大变化，彼此心怀不同目的，离开岛屿踏上大陆，驾车开始一段未知的生命旅程。 　　这是一段滑稽而又忧伤的旅程。他们经历了友情，亲情，爱情三大情感的困境与考验。在路上，他们遇到了各种人物体验了各种遭遇：依然追求梦想的儿时伙伴、十年恋爱长跑却是另外结果的网友、因信任他人而导致人财两空等等。 　　这段旅程让他们对于自我有了前所未有的思考，彻底改变了他们的人生轨迹。马浩汉和江河坚持走到了终点，最终走上了截然不同的人生道路。

简介：张建设回家当选村主任，发现自己的山村资源丰富，隐藏着各种商机。但让他无奈的是村子几乎成了“空城”，年富力强、聪明的青壮年已经纷纷离开了原本贫瘠的村子外出打工、创业了，家里留下的都是一些老幼妇孺，在老村长的支持下，主任张建设历尽艰辛，踏遍全国各大城市寻找村里在外的创业者和农民工返乡建设新农村，期间许多村民固执、讽刺、拒绝，张建设却一直坚持执着。 最终在张建设的感召下，村里在外的成功创业者和青壮年陆续返乡投资、建设自己的美好家园，使原本寂寥、空巢的山村一下子热闹起来，出现了一派欣欣向荣的景象。

简介：故事发生在遥远的未来世界中，在彼时的社会里，一群被称为“Equals”的种族成为了其中的主要生产力。相较于普通人类，Equals更加的完美，他们有美丽的外貌，高尚的道德感，稳定的情绪，聪慧的头脑，但与此同时，过于的完美让Equals失去了人类的感情。被称为SOS的疾病是这个社会里存在的最大不稳定因素，患上了SOS的人会变得敏感悲伤，抑郁冲动，居民们一旦被发现患上SOS症，就会被政府流放，永远无法再回归社会。

简介：暂无简介

简介：

布鲁斯·威利斯饰演了一名黑帮老大了，在经历了一次失败的抢劫后，他认为手下凯伦（克莱尔·弗兰妮饰演）是盗窃行动失败的泄密者，于是将其抓获作为人质。凯伦为了赢回老大的信任，她被迫联系上了同样做过盗贼的前任男友杰克（马克-保罗·戈塞拉）。黑帮老大要求他去偷取珍宝，以此来交换凯伦的性命。可是当杰克拿到珍宝后，双方的大战还远没有结束。影片将于2016年4月22日在北美地区上映。

简介：电影《永安镇故事集》是一部“关于电影”的电影，叙述了一个剧组入住拍摄地，给这个原本宁静的小镇带来一丝波澜，然而波澜过后，一切又重归宁静的故事。影片分为三个章节——独自等待、看上去很美、冥王星时刻，小镇和剧组串联起三个章节的故事和其中的人物——与小镇格格不入的饭店老板娘、回不去故乡的女明星、陷入创作分歧的导演与编剧……因为剧组的到来，每一个置身这座小镇的人心中都荡起一丝涟漪，但涟漪终会散去，一切也终将重归平静。

简介：事情还从一间珠宝行被偷说起，警方很快就锁定嫌疑人--骑着单车，头戴白头巾的男子。然随着追查，发现嫌疑人数逐渐增加，这一切的一切，貌似都与一名叫伊克巴尔的人有关...。

简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

简介：A couple of Italo-American journalists go missing during their work assignment in Romania.