彼方之歌

　　2030年，太平洋孤岛突发致命病毒，面对岛上武装力量的生化威胁，由李超（吴镇宇 饰）、郭震风（安志杰 饰）、彭希（瑞玛席丹 饰）组成的一支精悍的特种战队，要在有限的时间内，完成一场关乎全人类命运的“终极拯救”。

　　电影《赌城风云》是由大导演马丁·斯科塞斯与老拍档罗伯特·德尼罗的第八度合作。萨姆·“埃斯”·罗思坦（罗伯特·德尼罗 Robert De Niro 饰）抱着“赌博是一桩需要认真对待的事业”这个信念经营这一家拉斯维加斯的赌场。这个信念使他的赌场生意兴隆，而也让他成为富四一方的大亨。但是自从他娶了妓女出身的金姬（莎朗·斯通 Sharon Stone 饰）后，一切都发生了改变。金姬是个贪得无厌，嗜好酒和毒品的美丽女人，对前男友旧情不忘甚至给他送钱；黑社会老大派来保护萨姆的尼基（乔·佩西 Joe Pesci 饰）总是触犯法律，被警方禁止踏足赌场，还不量力要当老板；萨姆开除了不负责任的雇员却得罪了当地的官员；更糟糕的是，萨姆和昔日的合作伙伴间的摩擦加剧。所有的一切，都使萨姆心神不宁……

　　兒子在人群中不見了，父親手上的幸福紙風車能把他帶回身邊嗎？

　　本片根据黄玉郎同名漫画改编。
　　出身武术世家的王降龙（元华 饰）、王伏虎兄弟为使草根阶层不受欺压，开创龙虎门传授武术、匡扶正义。王小龙（甄子丹 饰）、王小虎（谢霆锋 饰）为王伏虎膝下一对同父异母的兄弟，小龙幼年时被母亲带离龙虎门，身边留有一块龙形玉佩和小虎的虎形玉佩成双。
　　小龙命运多舛，母亲身死后他为帮派人物马坤（陈观泰 饰）收养。小龙搭救了后来成为火云邪神手下的罗刹女（李小冉 饰），成为她一生所爱。
　　时光荏苒，青年王小虎与众师弟盲打误撞卷入马坤与白狮帮的纷争，并得到火云邪神交予马坤的罗刹令。王小龙为马坤取回罗刹令，却因不容马坤手下的卑鄙行径而和对方动手，混战中，王小虎得到嗜武青年石黑龙（余文乐 饰）援手。
　　王小虎与马坤之女马小灵（董洁 饰）相遇相识，石黑龙亦如愿拜入王降龙门下，另一边，马坤欲退出江湖却惹怒火云邪神，王小龙浴血苦战，只救得小灵。火云邪神听信罗刹女拖延之计独身横扫龙虎门，王小虎石黑龙身受重创，小灵带二人远赴白云山求助。龙虎三皇潜心修炼，准备与火云邪神的最后一战……

　　北京某高校机械物理学大神钟浩，为了帮助即将失业的开蒸汽小火车的父亲，计划将研究“超音速模拟现实装置”这项技术融入到蒸汽小火车中，帮助父亲解决失业问题，但与此同时，自己一直潜心研究的实验正到了最为关键的一步……

本片讲述卡特里娜飓风期间，在美国新奥尔良州的第九区低地发生的一宗抢劫案。

　　《电影万岁》是一部关于梦想的电影。创作风格深受伍迪艾伦影响，语速非常快又充满睿智的对白，看似荒诞无比有趣的故事却又真实的发生在所有观众面前，很有《午夜巴黎》的风采。整部电影实验性探索性很多，画幅的变化，穿插性的叙事，却又拥有非常诗意的节奏，会让人有一种错觉，用诗歌的形式拍了一部昆汀的电影。这部电影把幽默和感伤，欢乐与悲情，乐观与悲观，软弱和执着这些看似矛盾的元素却又神奇一般的统一起来。独具一种奇特的风格，看着开头就被整个故事深深吸引。
　　《电影万岁》也是这样的一部电影，由小见大，从一件小事开始，从一个封闭环境的审讯室开始，延伸到电影艺术大师的箴言，然后到在监狱中感叹“美好的逝去”，最后对于整个生命横切面的展示，无一不彰示着导演的野心。
　　全片的第一个镜头是胶片绑住手腕的镣铐，既有陈凯歌导演《梅兰芳》中“纸枷锁”的寓意，也有被胶片中的世界窒息的含义。也许从一开始就暗示了这个故事的非比寻常。影片中很多小设计也别具用心，比如“靡菲斯特”来源于歌德的歌剧《浮士德》，以及剧本的名字直接来自于陀思妥耶夫斯基的《白痴》。

　　Stacey survives a childhood of abuse and fear, only to face a shocking twist when her brother, Rickie, tells her that he killed their parents. She soon faces further betrayal and legal trouble when Rickie claims that she helped him commit the crimes.

　　Tania is an actress, 43. Thore is 15, a misfit in a small village at the northern tip of Germany. At the beginning of winter, Tania escapes from her numb life to the village. They meet. She decides to steal him from his parents.
　　The actress Tania travels from Munich to a village in the north of Germany. The skies are grey, just like the sea and the wintery plains. Her feelings are also covered in a grey veil of mist. Her painful past makes it impossible for this forty-something to feel anything at all.
　　The arrival of the stranger is immediately noticed in the tight-lipped community, but she is hardly welcome. Only the teenager Thore, whose imagination is too much for this no-man’s-land, has contact with her. A fragile band develops between them - attraction, rejection and occasionally sexually charged. Thore reveals a need in Tania, one she didn’t know she had. She decides to ‘steal’ Thore to come to terms with her own loss.
　　Rough is a directing debut filmed with great poise and with a sharp eye for this beautiful yet slightly depressing landscape and the people who inhabit it. The camera first functions as a detached observer, then as an accomplice, always very close to Tania.

　　酒宴中，杨排风（李绮红 饰）突然昏迷倒地，原来，为了救王贵妃，她自己引毒上身，只有辽国独有的“龙须凤发”才能救她的性命，如果无法解毒，杨排风的性命就只剩下短短的一个月了。
　　龙须好取，凤发难求。杨安（连凯 饰）、杨四娘（王渝文 饰）、五娘（宋怡霏 饰）、七娘（孙莉 饰）等人赶往辽国，哪知道碰上了和杨家有仇的萧太后（戴春荣 饰），使得求取凤发变得难上加难。时间一点一滴的流淌，杨排风的性命也在一点一滴的流逝，就在这紧要关头，杨四娘暗中拜见了眼镜公主（岳翎 饰），获得了她的信任和支持，取得凤发一事这才看到了一点成功的希望。

　　出品单位: 北京海晏和清影视文化有限公司
　　本片讲述了老一辈石油工人和儿孙之间的感人故事，展现了“铁人”第三代下岗工人家庭的实际生活状况。在这个经济高速发展的社会，道德教育似乎有些苍白无力，影片以极大诚意融入工人基层，在真诚地讲述一个实实在在的家庭故事的同时，映射出现实的各种社会现象，一方面紧紧抓牢了儿童教育，一方面亦把渐行渐远的“铁人精神”重新树立起来……

　　Not so long ago, Martin was a gifted mathematician with a career and a steady girlfriend. But after a spell in psychiatric care, he is released with no job and no way of supporting himself, labelled as mentally ill. Viktor is a young Ukrainian boy recently orphaned following his mother's OD. When the two meet, Martin takes Victor under his wing, and fleeing the city, they escape to a forest where they manage to build a hut robust enough to live in. Though not easy, their back-to-nature subsistence life is idyllic by comparison to what they have left behind, and the pair become firm friends. Martin even meets a sympathetic young woman, Lena, who he encourages to live in a more idealistic way. But just as Martin has started to find happiness, harsh reality intervenesÖ Director Hans Weingartner is best known here for his second film, The Edukators, but his new film is closer to his debut feature, The White Noise (LFF 2000). In common with that film, Hut in the Woods takes a progressive view of mental illness, creating believable and likeable characters and telling their story with empathy and an enviable lightness of touch.
　　Sandra Hebron
　　London Film Festival