上身

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

　　香港青年学者泰伦和妹妹青青，跟着青青的少数民族男友他差抵达云南边境的苗族部落。翌日，三人乘坐一辆小汽车，北上考古，穿过深山密林，来到一个小山村，他差和泰伦兄妹拜访族长，道明来意。热心的族长安排女儿安娜充当向导，并派出数名壮汉随行搬运用

　　一名人气网红（朴柱炫 饰）遭不明人士绑架后，被关在一辆车子的后车厢，而且她必须在一小时的直播时间内赚到6亿5千万韩元，才能逃出疾驶于市中心的这台车！