美少女人鱼第一季

　　1987年秋天，裂缝开启让霍金斯小镇伤痕累累，主角群团结起来，只为一个目标：找到威可那并杀掉他。但威可那彻底消失，他的行踪和计划皆成谜。更麻烦的是，政府将整个小镇列为军事隔离区，更加强搜捕伊莱雯，迫使她必须再度藏身。威尔失踪将届周年之际，再熟悉不过的恐惧感排山倒海袭来。最终战役将至，这次他们要面对的黑暗力量，比以往更强大而致命。为了彻底终结这场恶梦，必须凝聚所有人的力量，最后一搏。

　　纽约警察和检察官的故事，跨越15个春秋，1990年首播，至今仍受到亿万观众瞩目的长剧。
　　law & order第55届艾美奖最大的遗憾，已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧，这次却意外地未被提名，粉碎了它原本想要缔造的12次提名新高。
　　本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。
　　这个剧集除了已经播出的15季之外，还包括3个特别的系列，一个是
　　Special Victims meijubar.net Unit 系列（6季），一个是Criminal Intent 系列（4季），和Trial By Jury
　　系列。可见其火爆程度。堪称NBC历史上，乃至美国影史上最宏伟的剧集。
　　"In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. "
　　这是Law & Order十四年如一日，也是我百听不厌的开场白，是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩，这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力，但是近来每回看Law & Order，都彷彿只是在等待后半小时的法庭戏上，也不是说前面的办案就不精采，但是总要在进入起诉过程中才显出本剧的成熟、世故，细腻精妙处的炉火纯青；一男一女老少两位检察官的不同考量而激盪出的互动、辩证，起诉的战略方针往往不只是黑白分明的司法正义考量，而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气，Law & Order更不只是关在摄影棚里编造天马行空的离奇案件，它每回总是不犹疑地定睛盯上社会中的敏感命题。

　　Series two will reunite us with Detective Sergeant Mackenzie ‘Mack’ Clarke (Anna Samson), who’s longing to get back to the UK and the life she’s always craved. But for now she’s stuck in Dolphin Cove, dodging her ex-fiancée Glenn’s (Tai Hara) upcoming wedding after overhearing his unexpected declaration of love in the series one finale – a confession that she can’t unhear.
　　Luckily for Mack, her compulsion to solve impossible cases serves as a great distraction, and there’s no shortage of murders to investigate. From the literary world to state-of-the-art shark labs, dating apps and rock concerts, Mack and her team face challenging mysteries with their unique blend of humour and tenacity. But Mack’s biggest challenge of all? Finding a way to exist in Dolphin Cove as the ultimate outsider.

 一名逃离过去的妇女在她的花卉农场雇主去世后面临谋杀指控，后来才知道他就是她的亲生父亲。

 Amanda Tapping饰演一位157岁的Helen meijubar.net Magnus博士，英国维多利亚时代皇家学院第一批女博士之一，她曾和开膛手杰克订婚并有了一个女儿Ashley。不过Ashley不知道他的父亲是杰克。Magnus博士父亲创立了一家神秘生物的庇护所，这些生物从全世界搜集而来。在研究这些生物的过程中，Magnus博士发现她获得了长寿。

 沙苏前往亚达那进行授课，正好可以借此机会见见疏远的祖父。然而，沙苏很快就发现自己陷入了一个传说之中。

 Electric Dust Agency 以其改变记忆的技术而闻名。 当首席执行官开始出现幻觉时，她开始怀疑自己的记忆。

　　A young convict joins a firefighting program looking for redemption and a shortened prison sentence, he and other inmates work alongside elite firefighters to extinguish massive blazes across the region.

 Starz公布了《血肉之躯》（Flesh and Bone）的剧照，并宣布该剧近日正式开机拍摄。该剧是一部以芭蕾舞为背景的黑色剧集，故事主要描述外表华丽光鲜的芭蕾舞世界所隐藏的「肮脏」的幕后秘密。年轻的芭蕾舞演员Claire Robbins（Sarah Hay）如愿加入纽约最富盛名的芭蕾舞剧团，但她有一段不堪回首的往事，这导致她的情感很脆弱，有自毁倾向。她既是个单纯的天真女孩，也是个极具野心的世故女孩。她是个有天赋的舞蹈演员，但她的心魔和过于脱离实际的志向可能驱使她走上一条未知的道路。

　　Season 3: 2001–2002
　　Cast: Rob Lowe, Stockard Channing, Dulé Hill, Allison Janney, Janel Moloney, Richard Schiff, John Spencer, Bradley Whitford and Martin Sheen
　　The third season, which covers the administration's third and fourth years in office, starts off with Bartlet announcing his intention to run for reelection and is heavily devoted to the upcoming presidential election. Other prominent plotlines include Congressional investigations into whether Bartlet committed electoral fraud by concealing his MS, a death threat against C.J. and the ensuing relationship she develops with a Secret Service agent assigned to her, the Qumari defense minister Abdul Shareef plotting terrorist attacks against the US, and a troubling meeting between Toby and the President that leaves Bartlet with a bout of insomnia in "Night Five." The season finale, "Posse Comitatus" closes several of these storylines as Bartlet meets his opponent in the elections and reaffirms his commitment to beat him. The episode ends with the president finally deciding to order Shareef's assassination (a legally questionable act) and C.J.'s agent's murder, just after the man threatening C.J. was caught.
　　From a critical perspective, series creator Aaron Sorkin acknowledged in October 2002 that the terrorism-related plots designed to keep the series relevant after the real-life 9/11 attacks were awkward at times, saying "from week to week, you felt like you were writing the show handcuffed, a little bit. I didn't know how to write it anymore. It was a constant search for what I wasn't doing that used to make the show work. [...] Maybe there was a way to make it work; there probably was. I wasn't able to find it in twenty-two episodes." [1] Nonetheless, the show went on to win its third "Outstanding Drama" Emmy in a row.