前往希腊剧院

1888年，在伦敦的白教堂区，洛蒂（柯克饰）发现自己被臭名昭著的开膛手杰克（洛马斯饰）所困扰，他是一个名为法院的秘密组织的负责人。只有一个人，约翰·格雷（韦伯斯特饰），站出来反抗开膛手，发誓要与法庭留下的幽会、屠杀和男性压迫作斗争。切换到现代，一群由她们的领袖杰基（柯克饰）领导的强大女性刺客计划了一系列的暗杀行动，这些行动将使法庭陷入绝境。

 八十年代的上海，公交车上售票员的服务态度引起广大市民的关注和议论。小青（陈以心 饰）态度热情、尊老携幼，深得乘客称赞。而小黄（迟志强 饰）正与之相反，借囗嗓子疼，站名也不报，乘客对他意见很大。而驾驶员小洪（张明明 饰）则对交警小白（于延 平）老让她吃红灯有一肚子怨言。饭店工作的小葛（王伟平 饰）是个革新能手，他发明了报站扬声器及红绿灯自动显示装置。在改革发明中，小字辈们渐渐产生友谊，进而发展为爱情，不少人成双成对出入公园等娱乐场所，热衷发明的小葛不善于对爱慕着他的小青表达自己的感情，于是，他通过录音带传递自己无法说出口的话。小革新、小发明不仅增强了年青人热爱学习的兴趣，也让他们对未来的生活充满信心......

　　因警方的一批枪械丢失，飞虎队简sir（冯淬帆 饰）被上峰怒批，并受命重新组建训练霸王花。简sir与吴长官（胡慧中 饰）的婚后生活如同经受特训，看着家中“霸王花之家”的牌匾每日心神不宁。简sir与忠诚手下阿南（楼南光 饰）将所有不顺迁怒于再度集合受训的五名霸王花，试图将她们全部淘汰来挽回飞虎队面子。岂料阿南反与Susana（叶子楣 饰）、May（惠英红 饰）、Amy（吴君如 饰）等五名队员勾结，摆了简sir一道。五名霸王花各有所长，终于从简sir的地狱训练中全部合格，开始执行卧底任务，今次霸王花将登山赌船，查探日本、台湾、马来西亚三地赌届高手挑战赌王一事的幕后真相……

 改革开放的中国，红男绿女享受着时代的馈赠，但是许多青年被西方腐朽堕落的价值观所蛊惑，失去了蓬勃向上的劲头与朝气。花城汽水厂的青年住处员何大壮（冯巩 饰），在经过两年学习后准备进入南方职工业余大学参加毕业考试，谁知路上却被扒手划破口袋偷走了准考证。任凭他好说歹说，校方都不允许他入场。何大壮气急败坏，决心要好好惩治那些损人不利己的小偷。此后他先是误抓了手伸进老婆兜里的男人，之后又在抓贼时被对方栽赃，后来多亏经验丰富的刘所长（段建国 饰）为他洗刷了冤情。经人介绍，何大壮与女青年秋萍（凌慧 饰）相亲，偏偏对方正是他被栽赃时遭到盗窃的女青年，两个人之间难免误会继续。 吃了一连串亏的大壮，发誓要以业余警察的身份和小偷们抗争到底……

　　A hard rock band travels to the tiny and remote town of Grand Guignol to perform. Peopled by hicks, rubes...

　　An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.
　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"
　　About the director
　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.