南国野兽
9.0 |2025年11月09日 |正片 |共1集
简介:
在一个叫巴斯特普的河口地区,6岁的小姑娘“小玉米饼”(奎文赞妮·瓦利斯 Quvenzhané Wallis 饰)和她的爸爸温克(德怀特·亨利 Dwight Henry 饰)生活在此地。一座大坝将巴斯特普与外面的世界隔绝起来,人们在这里过着相对原始的生活。命不久矣的温克对女儿很严厉,一心希望她早日学会自己生存。一次可怕的飓风席卷了这个小村庄,他们的家园被野兽般的洪水吞噬。大灾难过后,幸存的人都团结在一起,开始重建家园。然而事情并非如此简单,洪水一直没有退去,小村庄的一切都开始衰败,动物尸体随处可见。而另一方面,外面世界已经将此地划为强制撤离区域,相关人员进入村庄,强制把他们带去避难所。 面对残酷得如一头野兽的世界,小姑娘并没有害怕,她相信宇宙有某种和谐的平衡。在爸爸独特的教育下,她变得越来越坚强,并且学会理解这个世界……©豆瓣

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简介:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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镜子的另一面:纽波特民歌艺术节1963~1965
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简介:吴达是“准时达”快递公司的一名速递员。热情平和的生活态度,不仅让师范学校毕业的吴达每天都挂着灿烂的笑容,还让吴达觉得生活如此的美好,尽管每天穿梭于火炉一样的江城,其中的酸甜苦辣只有夜阑人静疲乏不堪时体会得最为深刻。对吴达来说,保持快乐消除疲乏最好的办法就是唱歌。吴达喜欢唱歌,尤其喜欢跟着MP3唱自己喜欢的歌。与吴达清贫、辛苦,却平和、快乐形成鲜明对比的,是法律系女大学生简小橹。 出生于优越家庭的简小橹,为了实现做歌手的梦想不惜休学。但一次次的失败极大地打击着小撸的自信。离异的家庭环境,遭受打击的人生自信,使得小撸整天闲散在家,除了睡觉,就是外出闲逛。一个偶然的机会,吴达在江边认识了独自对江放歌的小撸。基于唱歌的共同爱好,年龄相仿的吴达和简小撸从此成了朋友。全国性的“想唱就唱”选拔赛开始后,吴达前来动员小橹报名参赛。想起此前一次次渴望成功的努力被失败摧毁得体无完肤,简小橹胆怯了,胆怯的背后,是想唱而不敢唱的矛盾挣扎。 一次次劝说简小橹参赛,简小橹都不参加,吴达毅然报名,参加海选。虽然吴达的歌声还不具备登台参赛的水平,有些音调甚至还不在谱上,但吴达自信的笑容和年轻人应有的热情深深地感染着评委和观众,成功闯过海选的前三轮。吴达的每一次成功,都触动着暗中关注的简小橹,让简小撸为吴达的表现感到骄傲,也为自己的胆怯感到懊悔。 江城地区最后一轮比赛开始时,吴达邀请小橹去现场做自己的亲友团成员。轮到吴达上场时,吴达出人意料地以参赛曲目是男女二重唱为由,邀请简小橹上台共同演唱由简小橹作词作曲的歌曲《用心歌唱》。为了能让简小橹在评委和观众面前尽情地展现自己的歌唱才华,吴达在整个演唱中始终没有出声,把所有的机会都留给了简小橹。 一个月以后,简小橹不仅录制了自己的首张个人专辑,还重新回到了学校。当小撸去公司找吴达时,吴达的同事告诉小撸,由于家乡师资力量匮乏,吴达启程回家,准备去家乡教书。小橹赶来人流攒动的火车站。检票口,吴达抗着行李包,嘴里还在哼唱着那首《用心歌唱》,脸上依然是阳光般的青春灿烂。

200
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