盖尔王

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　影片故事讲述哈莉·贝瑞饰演的母亲发现儿子失踪后，不顾一切地追击绑架了她儿子的绑匪，由此上演了一场追车和打斗好戏。

　　讲述来自荷兰的阿飞是个职业杀手，他来港是有两个目的。第一，他接到一个格杀令，目标人物是日本山口组演员鹿村一郎。第二，他要跟青梅竹马现职高级警官的良伟重聚。他自小受父母的薰陶，对日本人极之痛恨，他毫不动容地便解决了鹿村一郎。之后，他便马上去警署跟挚友会面。当然，良伟是不知   道他背后的身份。阿飞在香港遇上了两个在九反之地阿姆斯特丹认识的江湖兄弟惠敏及丁哥。惠敏是个毒品大拆家，控制多个毒品巢穴。丁哥是大毒贩周老板的得力助手。周利用丁哥抢走惠敏不少生意，使两人水火不容。

　　宋徽宗年间，浪子燕青携李师师归隐江湖，不问世事。但无妄之灾从天而降，来历不明的刺客杀了李师师，重伤燕青。更有朝廷追捕燕青，指责燕青在扬州杀害官差。为替李师师报仇、查明真相，燕青踏上复仇之路。

　　刘恩源，一位备受尊敬的教头，培养了一群优秀的徒弟。然而，他的徒弟郑因妹妹的危急而被迫参加曼谷的泰拳比赛。出于同情，刘决定陪同儿子康一同前往支持郑。可惜，康在比赛中遭遇失利，这场本应是友好比拼的比赛变成了中泰武术实力的代表性对决。国内武林界对此愤怒非常，纷纷指责刘恩源，抨击他的决定，引发了家庭和徒弟们的离去。
　　这场舆论风波给刘恩源的家庭带来了沉重的打击。小凤因比赛影响退婚，而刘的徒弟们也一个接一个离去。在压力和指责中，刘感到无法承受，最终选择了自杀。这一突如其来的悲剧令整个家庭陷入了深深的阴影。为了挽回父亲的名誉，小凤和康决定不畏压力，赴曼谷学习泰拳。他们怀揣着对家族荣誉的责任感，希望能在泰拳锦标赛中夺得胜利，为刘恩源洗刷污名。

　　马拉斯表面上是一家车行的修车工，但暗地里却做着偷车的营生。一次他在外出工作时自做主张偷了一辆黑色奔驰车，却发现自己无意中卷入了一场地下毒品交易和谋杀案中，因而遭到了警察局长斯图帕尔和黑帮头目戈卢布的双重追击。为了不牵连家人，马拉斯只能投靠与黑帮有勾结的斯图帕尔，从此踏上了一条命运未知的道路。

　　桑德拉．布洛克凭《生死时速》成名之前主演的浪漫冒险片，有一个“拯救雨林"的环保主题，也有一个俊男美女的激情故事和曲折的谋杀案剧情，可惜加在一起并未能产生娱乐性相乘的效果。克雷格．谢菲尔饰演的摄影记者欧布莱对于发生在亚马逊森林的环境专家被杀案产生怀疑，决定深入调查真相，过程中跟曾为专家工作的女活动家艾莉莎罗德曼产生火热爱情，而真凶则不断滥杀无辜意图灭口。

　　斯米尔和本是高速公路警察，他们接到命令保护凯瑟琳温蒂，一名建筑设计师。但斯米尔却陷入痛苦和绝望，因为他发现自己深爱的妻子居然和别人私通，这让斯米尔在执行任务过程中备受困扰，以至于他和女儿都被歹徒保卫陷入绝境。最然在关键时刻他在老搭档的解救下脱困，但他不知道的是这一切竟然是一个巨大的阴谋……

　　1997年前夕，香港回归在即。近百年的殖民时代即将落下帷幕，而香港的繁荣与衰败也将迎来翻天覆地的改变。时代变革大潮在即，作为黑帮龙头老大的林耀昌（任达华 饰）敏锐把握到时代的脉搏，他致力坚守盗亦有道的原则，和一众兄弟笃定前行。而在他的麾下，勇猛果敢的阿骆（任贤齐 饰）更被林耀昌寄予厚望。但是阿骆的真实身份却是一名警方卧底，他奉上级程国斌（方中信 饰）之命潜伏多年，时刻准备以白克黑。但是混迹黑道多年，阿骆似乎渐渐发生个改变，内心的黑暗面正迅速扩大。
　　沧桑巨变，人心不古……